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| | Bonitatibus Anna | | mezzosoprano |   
| Graduated in singing and piano and winner of several international competitions, Anna Bonitatibus made her debut at the Teatro Filarmonico di Verona in Vivald's Tamerlano. |
| She started a successful career performing in the most important Italian theatres, with a repertoire including Rossini (La Cenerentola, Le comte Ory, Il barbiere di Siviglia), Mozart (Don Giovanni, Così fan tutte, Le nozze di Figaro) and the XVIII° century Neapolitan operas (La Molinara by Paisiello, Ser Marcantonio by Pavesi, Il marito disperato and L'Olimpiade by Cimarosa). In past seasons Anna Bonitatibus also took part in the projects The Medium by Menotti at the Teatro Regio di Torino (opposite Renata Scotto) and Eleonora by Roberto De Simone at the Teatro di San Carlo di Napoli, as well as in new productions of L'incoronazione di Poppea at the Maggio Musicale Fiorentino (under the baton of Bolton and directed by Ronconi), of Norma at the Teatro di San Carlo di Napoli and Don Giovanni at the Teatro alla Scala, conducted by Muti. |
| Anna Bonitatibus debuted in Vienna with Martin y Soler's Una cosa rara, in Montecarlo singing in L'amico Fritz on concert stage (opposite Angela Gheorghiu and Roberto Alagna) and at the Opéra du Rhin de Strasbourg again with L'amico Fritz. She has recently sung in La Cenerentola for the inauguration of the 2000/1 season of the Opéra di Lyon and for her debut in Las Palmas. In Bilbao, she performed as Maffio Orsini in Lucrezia Borgia. |
| Highlights of her recent engagements also include a tour of Händel's Tamerlano to Halle, Paris and London, with the English Concert and the conducting of Trevor Pinnock, Abbattini Marazzoli's Dal male il bene at the Baroque Festival in Innsbruck and Le nozze di Figaro (Cherubino) in Valencia with René Jacobs. |
| She has just made her debuts in the role of Ulisse in Deidamia in Siena and of Romeo in I Capuleti e i Montecchi at the Opera of Tenerife, a role she successfully revisited at the Teatro Carlo Felice di Genova. Her 2001/2 season was also marked by notable debuts at the Hamburgische Staatsoper with Alcina and at the Bayerische Staatsoper in Munich in Il ritorno di Ulisse in patria (Minerva). More recently, she took part in his first Nederlandse Opera production of La clemenza di Tito (Sesto) in Amsterdam, and sang as Silvia Messaggera in L'Orfeo in Munich, with the Münchner Rundfunkorchester, and as Il Compositore in Ariadne auf Naxos in Las Palmas. |
| Anna Bonitatibus collaborates with such important conductors as Campanella, Clemencic, Humburg, Koopmann, Maazel, Pidò, Savall, Tate and Zedda. |
| Apart from her operatic repertoire, she works intensively in the concert field. Her repertoire includes, among others, Stabat Mater by Rossini and Pergolesi, Petite Messe Solennelle by Rossini, Mozart?s Requiem and C minor Mass (also performed in Paris at the Théâtre des Champs Elysées with René Jacobs and at the Festival di Rovereto with Ivor Bolton), Mozart's C minor Mass KV 427 (just performed at the Teatro Comunale di Firenze under Ivor Bolton), Gloria and Vivaldi's Beatus Vir, Beethoven's IX Symphony and Missa Solemnis. |
| In Milan, she performed in several concerts with the Orchestra Sinfonica G. Verdi and with I Pomeriggi Musicali, singing, among others, in Stravinsky's Les Noces, Alexander Nievskj by Prokofiev and Vivaldi's La Senna Festeggiante. |
| Among her future engagements it is worth mentioning Le nozze di Figaro at the Bayerische Staatsoper in Munich and at the Teatro Regio di Torino, Don Giovanni at the Théâtre des Champs Elysées in Paris, Il ritorno di Ulisse in patria in Munich, Isabella al Teatro Massimo di Palermo and concerts in Amsterdam (Stabat Mater by Rossini) and Lucerne. |
| She recorded Griselda and Beatus Vir by Vivaldi and Falstaff for Naxos; Adelia by Donizetti and La Maddalena a piedi on the Ricordi label; Händel's Tamerlano (on Cd and Dvd). |
| Next release: Scarlatti's Le lettere amorose for Virgin and Händel's Deidamia. |
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