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Taigi Chiara
soprano

 Born in Rome, she began her musical studies with Ivenza Fogli, under the guide of the same theacher she reached the degree. Very young, Chiara Taigi won some important contests such as the “Agostino Lazzari”, the “Toti dal Monte” and the “Angelica Catalani”. After that she reached the debut in 1992 with Rossini’s Il turco in Italia at Teatro Comunale of Treviso conducting by Peter Maag.
She sang in prestigious both Italian and foreign Theaters such as the Comunale of Bologna (L’amor rende sagace, The turn of the screw), the “Verdi” of Trieste (die Zauberflöte, Fedora), the Theatres of Reggio Emilia, Venezia (Bohéme), Sassari, Nevers and Salon de Provence (Rigoletto), Piacenza, Jesi, Messina, “Bellini” of Catania, Lucca, “Carlo Felice” of Genova, the Opera of Rome, the Maggio Musicale of Florence (Gianni Schicchi), Savona, the “Adriano Belli” of Spoleto, the Ravenna Festival, the San Carlo of Naples (Il convitato di pietra by Giacomo Tritto – first modern execution).
Chiara Taigi upholded the role of Lucrezia in the Opera of Rome’s Due Foscari (2001) with Renato Bruson and many other important productions like La Scala’s Peter Grimes under the guide of Jaffrey Tate, the Ravenna Festival’s Carmen, the La Scala’s world premiere of Tatjana by Azio Corghi. She met other personal successes with Il corsaro in Lecce, Pagliacci in Bilbao, Prothoe/Penthesilea by Otmar Schoeke, La Scala’s Otello conducted by Riccardo Muti and Cyrano by Tutino in Metz. The following year she sang in Simon Boccanegra with Claudio Abbado and in Berlioz’s Benvenuto Cellini for Opernhaus of Zurich under the guide of Sir John Elliott Gardiner.
In 2003 Chiara Taigi was envolved in Naples for La battaglia di Legnano, in Lecce for Trovatore, in Genova for Bohéme, in Firenze for Otello conducing by Zubin Mehta, at Teatro Pergolesi in Jesi for Alessandro Nini’s La Marescialla d’Ancre, in Nizza and Toulon she sang the Vier letze Lieder by Strauss with Marco Guidarini.
During the three last opera seasons she debuted in Andrea Chenier at Teatro Politeama of Lecce and in the lead role of Suor Angelica conducted by Riccardo Chailly at Teatro Lirico of Milan, while abroad she debuted in three important Opera Houses such as Nizza and Leipzig for Ballo in maschera as well as the Deutsche Oper Berlin where she sung the role of Giorgetta in Puccini’s Tabarro conducted again by Riccardo Chailly.
 

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