  
| Peter Dvorsky, a Slovak tenor, graduated from opera singing at the Bratislava Conservatoire under supervision of Professor Ida Cernecká. Still as a student, he became a solo singer of the Opera of the Slovek National Theatre in Bratislava, where he made his debut in opera 'Eugen Onegin'-Lenskij (1972). He won the national singing contest named ather Mikulás Schneider-Trnavský at Tnava (1973), became the prizewinner of the P.I. Tchaikovsky International Competition in Moscow (1974), gained absolute superiority in men category at the international contest in Geneva in 1975 and left for a one-year stay to the Scala in Milan - Professors Renata Carosia and Giuseppe Lugga. His repertoire concentrates on tenor characters from pieces of Italien and Slavic opera. The world fame of the most demanded Slovak artist is corroborated by his frequent guest performances in the whole number foremost opera houses of the world under the guidance of famous conductors and in the partnership of equally famous female singers. Vienna: 'Rigoletto', 'La Traviata', 'Lucia di Lammermoor', 'L'elisir d'amore', 'La Bohéme', 'Macbeth', 'Madama Butterfly', 'Simon Boccanegra', 'Manon Lescaut', 'Rusalka', 'Tosca', 'Eugen Onegin', 'La forza del destino', 'Un ballo in maschera'. Milan: 'La Bohéme', 'Lucia di Lammermoor', 'Macbeth', 'Madama Butterfly', 'Eugen Onegin', 'Adriana Lecouvreur'. New York: 'La Traviata', 'Madama Butterfly', 'Un ballo in maschera', 'Manon Lescaut', 'La Bohéme', The other cities inlude Munich, Köln, London, Kiev, Moscow, Verona, Linz, Salzburg, Zurich, Dortmund, Hamburg, Geneva, San Francisco, Cleveland, Tokyo, Yokohama, Osaka, Nagoya, Las Palmas, Barcelona, Madrid, Paris, Florence, Venice, Chicago, Monte Carlo, Houston, Macerata, Bologna, Catania, Lecce, Berlin, Bonn, Prague, Bratislava. Cooperation with conductors: Carlos Kleiber, Zubin Mehta, Marco Armiliato, Lorin Maazel, Giuseppe Sinopoli, Sir Georg Solti, Claudio Abbado, Nello Santi, G. Patané, A. Guadagno, R. Woitach, O. de Fabritis, G. Fischer, E. Downes, S. Varviso, H. Bender, M. Gomez-Martinez, G. Pretre, G.A. Gavazzeni, G. Navarro, R. Paternostro, J. Pritchard, S. Ozawa, M. Ermler, E. Fulton, O. Lénard, V. Neumann. Z. Kosler and others. Stage partners: Mirella Freni, Eva Marton, Ileana Cotrubas, Edita Gruberova, Katia Ricciarelli, Anna Tomowa-Sintow, Brigitte Fassbender, Cecilia Gasdia, Mara Zampieri, June Anderson, Gabriela Benacková, Renata Scotto, Olga Romanko, Jelena Obrazcova, Galina Gorchakova, Maria Guleghina, Grace Bumbry and others. The 'sunny' tenor of Dvorský is characterized by a soft, elastic tone, a warm and melodious timbre, a natural musicality. His voice shines with high tones, displaying both lyrical charm and needful drama. His onstage performance of characters also authenticates his great talent for acting and his heart, handed over to his audience through the characters interpreted. The present repertoire: Giacomo Puccini: Tosca ? Cavaradossi, Madama Butterfly - Pinkerton, La Bohéme ? Rudolf, Manon Lescaut - Des Grieux, Giuseppe Verdi: La forza del destino ? Don Alvaro, Un ballo in maschera ? Gustav III, Macbeth ? Macduff, Pietro Mascagni: Cavalleria rusticana ? Turridu, Leo? Janácek: Jenufa ? Laca, Leoncavallo: Pagliacci ? Canio, Francesco Cilea: Adriana Lecouvreur ? Maurizio, P.I.Cajkovskij: Evgen Onegin ? Lenskij, Oratorios: Antonín Dvorák Requiem,Stabat Mater,Giuseppe Verdi: Requiem. |
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