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| | Soffel Doris | | mezzosoprano |   
German mezzo-soprano Doris Soffel first studied violin at the Munich Academy of Music, then singing with the legendary Wagner/Strauss-soprano Marianne Schech. During her studies already, she made her debut at the Bayreuth Youth Festival in 1972, singing the leading role in Wagner´s Liebesverbot. Wolfgang Windgassen engaged her at the Stuttgart opera ensemble. During the following years (1973-83) she could build up a broad repertoire, including protagonist roles like Carmen, Eboli (Don Carlo) and Octavian (Der Rosenkavalier).
With her sensational success at Covent Garden as Sesto in Mozart´s Titus 1983 and as Orlofsky in Fledermaus (conductor Domingo) 1984 her world career was launched. Sawallisch gave her a lasting guest contract at the Bavarian State Opera, Munich. Since then she has made regular appearances in all big and important opera houses and concert halls of the world. In the 1980ies Doris Soffel became the only German mezzo-soprano with a world career in coloratura roles (bel canto-operas by Rossini, Donizetti and Bellini). Her cooperation with Joan Sutherland and Richard Bonynge has been well documented. In French repertoire she conquered the International audience not only with Carmen, but also with roles like Charlotte in Massenets Werther (with Alfredo Kraus) and Marguerite (Berlioz Damnation de Faust). Her exceptional musicality and vocal flexibility also led to cooperation with contemporary composers like Reimann, Henze and Penderecki. She had triumphant successes at world premieres, e.g. at the Munich Opera Festival in 1986 as Kassandra in Reimanns Troades.
With an extraordinary combination of passion, creativity and intelligence, demonstrated already in the Italian and French roles, Doris Soffel grew into one of the most significant Wagner- and Strauss singers of our time. Her early successes as Fricka (Rheingold and Walküre) with Solti in Bayreuth and her Waltraute (Götterdämmerung) with Mehta were confirmed later, at Carsens Cologne-Ring, at Audis Amsterdam Ring, at the Dresden Ring and in 2010 at La Scala with Barenboim. Her Kundry (Parsifal) with Thielemann and her Ortrud (Lohengrin) with Luisi are legendary. Doris Soffels artistic curiosity and permanent seeking of new challenges has also brought her in recent years to the Slavic repertoire: With Marfa (Mussorgskis Khovanschina), Jezibaba (Dvoraks Rusalka) and Kabanicha (Janaceks Katia Kabanova) the artist painted extraordinary and touching role portraits.
Today, with her strong vocal expressive power, with her charisma and with stunning acting performances, she celebrates one triumph after the other in strong Strauss roles like die Amme in Frau ohne Schatten (debut in Los Angeles 2004), Herodias (Salome – 10 new productions in the last four years!) and Klytämnestra (Elektra).
Doris Soffel has sung with legendary conductors such as von Karajan, Celebidache, Solti, Giulini, Sawallisch, Maazel, Mehta, Sinopoli, as well as Thielemann, Gatti, Luisi, Nagano and Barenboim. Working from the beginning of her career with such significant stage directors as Rennert, Ponnelle, Friedrich and Kupfer had a great formative influence on her artistry and today she works with directors like Lehnhoff, Konwitschny, Carsen, Herheim and Tscherniakov.
Doris Soffel also has an impressive career as concert- and Lied-singer, main focus on Mahler, Brahms and Strauss. An extensive discography as well as many DVD productions testifies to the great versatility of the singer. Her latest DVDs are Munich-Khovanschina and Baden-Baden-Salome. She is German “Kammersängerin” and in 2001 she was awarded with the Royal Swedish Northern Star Order for her important artistic contributions.
Future plans include i.a. Madame de Croissy (Dialoge de Carmelites) in Stuttgart, Adelaide (Arabella) in Paris-Bastille and Barcelona, Countess (Pique Dame) in Zurich, Herodias (Salome) in Berlin, Klytämnestra (Elektra) in Leipzig and Fricka (Rheingold and Walküre) in Amsterdam and Berlin (with Rattle).
Doris Soffel is married and has one daughter. She lives in Berlin.
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