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| | Praticò Bruno | | baritono |   
| Born in Aosta, after studying with baritone Giuseppe Valdengo he attended the specialisation courses of Teatro alla Scala and of Rodolfo Celletti. |
| Under the baton of such conductors as Claudio Abbado, Bruno Campanella, Riccardo Chailly, Gianluigi Gelmetti, Daniele Gatti, Donato Renzetti and Carlo Rizzi, he sang with success in Falstaff (title role), Don Pasquale (title role), L'elisir d'amore (Dulcamara), Les pécheurs de perles (Zurga), Il barbiere di Siviglia (Figaro/Bartolo), La Cenerentola (Don Magnifico) as well as in Fedora, Le convenienze e inconvenienze teatrali, Linda di Chamounix (Marchese di Boisfleury), Un giorno di regno and I quatro rusteghi. |
| He sang in the world's major opera houses such as the Metropolitan Opera, the Teatro alla Scala, the Teatro di San Carlo in Naples, the Wiener Staatsoper, the Teatro Comunale di Firenze, the Teatro Comunale di Bologna, the Teatro Massimo di Palermo, the Grand Théâtre de Geneve, the Teatro Reál in Madrid, the Teatro La Fenice di Venezia, the Teatro dell'Opera di Roma, the Teatro Carlo Felice in Genoa, the Teatro Regio di Parma, the Amsterdam Nederlandse Opera, the Opéra de Lausanne and the New National Theatre and Japan Opera Foundation in Tokyo. |
| Since 1993 Bruno Praticò has been a regular guest at the Rossini Opera Festival. In 1998, in the occasion of his interpretation of the role of Don Magnifico in La Cenerentola, he was awarded the «Rossini d'Oro» Prize. In 1999 he returned to Pesaro for Il viaggio a Reims and for a recital and, more recently, for La Cenerentola, La Gazzetta and L'equivoco stravagante. In the next future he will be again on Rossini Opera Festival stage for a new production of Le comte Ory. |
| In 1998/9 season he performed in Il barbiere di Siviglia at the Teatro dell?Opera di Roma and at the Teatro di San Carlo in Naples, Il turco in Italia in Naples and at the Teatro Regio di Parma and L'italiana in Algeri in Bilbao. |
| His 1999/2000 season was marked by successful appearances as Don Magnifico in La Cenerentola at the Opernhaus in Zurich, at the Teatro de la Maestranza in Seville and at the Opéra of Montecarlo, in Il convitato di pietra at the Teatro di San Carlo in Naples, in Le comte Ory in Genoa, in Gianni Schicchi in Messina and Bologna. |
| In the 2000/1 season he performed in Il viaggio a Reims (staged by Luca Ronconi) and Un giorno di regno (conducted by Maurizio Benini and staged by Pizzi) at the Teatro Comunale di Bologna, in Il barbiere di Siviglia (Bartolo) at the Nederlandse Opera in Amsterdam and at the Teatro di San Carlo in Naples, followed by successful interpretations of the role of Bartolo at the Baltimore Opera Company, at the Arena di Verona and at the Opéra de Montecarlo, of Don Magnifico at the Opéra National de Paris, of Geronimo in Il matrimonio segreto at the Théâtre des Champs Elysées de Paris and in Montecarlo, and by the return to Bologna for Béatrice et Bénédict. He has also recently debuted at the San Diego Opera in Don Pasquale, at the Festival Mozart in La Coruna singing in the role of Barone di Trombonok in Il viaggio a Reims, and in Oviedo in Il turco in Italia. |
| Among his future engagements are Il barbiere di Siviglia at the Opéra National de Paris, at the Teatro dell'Opera di Roma, at the Teatro Real in Madrid and at the Bayerische Staatsoper in Munich, La Cenerentola (Don Magnifico) at the Bayerische Staatsoper, La fille du regiment and L'elisir d'amore at the Teatro Comunale di Bologna, Il turco in Italia at the Teatro di San Carlo di Napoli and in Las Palmas, L'elisir d'amore at the Teatro La Fenice di Venezia. |
| His extensive discography includes Il barbiere di Siviglia (Bartolo) for EMI, L'elisir d'amore (Dulcamara) for Erato, Il signor Bruschino and La cambiale di matrimonio for Claves, Lakmè, Don Quichotte and Leoncavallo's La Bohème for Nuova Era and L'italiana in Algeri for Bongiovanni. Forthcoming releases include Donizetti's La romanziera e l'uomo nero for Opera Rara and L'italiana in Algeri on the BMG label. |
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