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Ian Bostridge on iTunes


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Bostridge Ian
tenore

Ian Bostridge studied both history and philosophy at both Cambridge and\n Oxford, where he received his doctorate in 1990. He was a post-doctorial\n fellow at Corpus Christi, Oxford, before embarking on a career as a singer,\n having won the 1991 National Federation of Music Societies / Esso Award\n and receiving support from the Young Concert Artists Trust. \n He made his Wigmore Hall debut in 1993; his Purcell Room debut (an\n acclaimed Winterreise) and his Aldeburgh Festival debut in 1994; in 1995\n he gave his first solo recital in the Wigmore Hall (winning the Royal\n Philharmonic Society's debut award); in 1996 he gave recitals in Lyon,\n Cologne, London and at the Aldeburgh, Cheltenham and Edinburgh\n Festivals and in 1997 at the Alte Oper, Frankfurt. On the concert platform,\n he has appeared with the London Philharmonic Orchestra under\n Welser-Möst, with the London Symphony Orchestra under Sir Colin Davis\n and Rostropovich, the Scottish Chamber Orchestra under Sir Charles\n Mackerras and the City of Birmingham Symphony under Sir Simon Rattle.\n His recordings to date include Britten's Serenade for\n Tenor, Horn and Strings and Schumann's Liederkreis/Dichterliebe,\n accompanied by the pianist Julius Drake. This recital is followed by a solo Schubert recital: Popular Lieder,\n also accompanied by Julius Drake. \n He made his operatic debut in 1994 as Lysander in A Midsummer Night's\n Dream with the Australian Opera at the Edinburgh Festival. In 1995 he\n made his Covent Garden debut in a new production of Salome and sang\n Sellem (The Rake's Progress) at the Saito Kinen Festival under Ozawa. In\n 1996 he made an acclaimed debut with English National Opera, singing his\n first Tamino and in 1997 sang Quint in Deborah Warner's new production\n of The Turn of the Screw under Sir Colin Davis for the Royal Opera.\n In 1997 he made a film of Winterreise for Channel 4 directed by David\n Alden, and his book Witchcraft and its Transformations 1650-1750 was\n published by Oxford University Press. He has written on music for the\n Times Literary Supplement, Opernwelt, BBC Music Magazine, Opera\n Now and the Independent. In 1998 Methuen will publish his second book,\n on music and singing.\n Forthcoming engagements include recitals in Paris, Stockholm, Lisbon,\n Brussels, Amsterdam and the Vienna Konzerthaus. In North America he\n will appear in recitals in New York at the Frick Collection in 1998 and\n Alice Tully Hall in 1999 and make his Carnegie Hall debut under Sir\n Neville Marriner. In 1998 he will sing Vasek in a new production of The\n Bartered Bride under Bernard Haitink for the Royal Opera and make his\n debut at the Munich Festival as Nerone (L'Incoronazione di Poppea) and\n in recital (Winterreise at the Cuvilléstheater).

 

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