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Deborah Voigt on iTunes


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www.deborahvoigt.com


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Voigt Deborah
soprano

Her family was of German origin; her grandfather came from Bremen originally to Chicago before settling in California. She received her training at the Merola Program at the San Francisco Opera, then began her career at the San Francisco Opera, where she sang small roles from 1986 to 1987. After having been awarded the Rosa Ponselle Medal, the Tchaikovsky competition in Moscow and the Voce Verdiani competition in Busseto in 1990, her career progressed with unusual speed. She began as a concert singer in San Francisco, Honolulu and at Carnegie Hall in 1988. She appeared with the Atlanta Symphony Orchestra, in Washington and in Boston. She sang Donna Elvira in Don Giovanni with the Chelsea Opera Group (1990), the title role in Ariadne auf Naxos at the Boston Opera (1991) and Amelia in Un ballo in machera at the San Francisco Opera and repeated the last for her debut at The Metropolitan Opera in 1991, in 1992 at the Cologne Opera House, and in 1993 at the Chicago Lyric. She was heard in Cologne as Rezia in a concert version of Weber's Oberon, as a soloist in the Verdi Requiem at the Concertgebouw, Amsterdam. She sang Mathilda in Rossini's William Tell in 1992 at the Verona arena, adding Aida in 1994. On 29 February 1992 she took part in a gala concert commemorating the 200th birhday of Rossini. During the 1991-1992 season the Met heard at The Met heard her as Chrysothemis, in 1993 as Leonora in Il Trovatore, in 1994 ias Ariadne, and in 1996 as Sieglinde opposite Placido Domingo. She gave a concert of works by Richard Strauss in Amsterdam in 1992, where she appeared as a guest as Elsa. She was Leonora in Il Trovatore at the Opera Pacific Costa Mesa in 1993, Rezia in Oberon and at La Scala (1993), Elisabeth at The San Francisco Opera (1994), Violetta at the Australian Opera, Lady Macbeth at the Rome Opera House and at the Teatro Comunale in Florence (1995) Chrysothemis at the Teatro Colon in Buenos Aires (1995), Ariadne with the Miami Opera and at the old Opera House in Frankfurt (1996), Leonore in Fidelio and the Empress in Die Frau ohne Schatten at the Dresden State Opera in 1996. Recordings : Telarc, EMI (Oberon), Decca (Les Troyens, La Forza del Destino), Teldec, RCA/BMG (Fidelio)

 

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