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| | Dasch Annette | | soprano |  
After making triumphal debuts at Schubertiade Schwarzenberg and at Salzburger Festspiele in summer 2006, Annette Dasch will open the 2006/07 season with concerts at the MDR Musiksommer and at the Zermatt Festival. Later she will sing Aminta in guest-performances of Re Pastore at the Bremer Musikfest and at the Bonner Beethovenfest. Her debut at La Scala (Donna Elvira in a new production of Don Giovanni) and a scenic version of Mendelssohn’s Elijah under Seiji Ozawa at Maggio Musicale Fiorentino will follow. In the role of Pamina Annette Dasch will return to Bayerische Staatsoper. Alongside Rolando Villazon she will make her debut at Opéra National de Paris as Antonia in Les Contes d’Hoffmann. Together with the Berliner Philharmoniker and Sir Simon Rattle she will appear as Freia in Rheingold during the Salzburger Osterfestspiele. At Sächsische Staatsoper Dresden she will perform as Pamina and Figaro-Contessa. Returning to the Salzburger Festspiele in 2007 she will sing the title-role in the new production of Haydn’s Armida staged by Christoph Loy and conducted by Ivor Bolton. Recital-appearances are scheduled for the Schubertiade Schwarzenberg again as well as in Paris and at Konzerthaus Dortmund. At the Berliner Philharmonie Annette Dasch can be heard in Bach’s St. Matthew’s Passion under Kent Nagano and at the Wiener Musikverein she will sing in Schmidt’s Buch mit sieben Siegeln under Fabio Luisi.
Among her most important engagements of the past rank the Gänsemagd in a new production of Humperdinck’s Königskinder at Bayerische Staatsoper Munich (Homoki/Luisi), Cinna in Lucio Silla at Wiener Festwochen (Guth/Harnoncourt), Pamina in the new production of Zauberflöte at Sächsische Staatsoper Dresden (Freyer/Weigle) as well as concert-performances of Schumann’s Faust-Szenen under Nikolaus Harnoncourt at Styriarte Graz and Schumann’s Genoveva at Hessisches Staatstheater Wiesbaden under Marc Piollet. Other concerts led her to the Berliner Konzerthaus (Akademie für Alte Musik), to Festival of Montreux (Four last songs / Janowski), to Teatro San Carlo di Napoli, to Turin and to the Alte Oper Frankfurt (Mahler’s Symphony No. 2/Wolff).
Since 1996 Annette Dasch has been studying singing with Josef Loibl at the “Hochschule für Musik” in Munich and attended master classes with Jan Philip Schulze, Wolfram Rieger and Helmut Deutsch. Her international career started in the year 2000 when she won three important singing competitions: in Barcelona, Zwickau and Geneva. In the meantime important engagements followed, such as Bayerische Staatsoper Munich (Fiordiligi, Pamina, Gretel), Deutsche Staatsoper Berlin (Galathea), Sächsische Staatsoper Dresden (Liu), Théâtre des Champs Elysées Paris (Figaro-Contessa), Théâtre Royal de la Monnaie Brussels (Aminta, Flavia Gemmira), New National Theatre Tokyo (Antonia), Vlaamse Opera Antwerp (Fiordiligi), Grand Théâtre de Luxembourg (Aminta), Oper Bonn (Pamina, Télaire), Opéra National de Montpellier (Figaro-Contessa) or Innsbrucker Festwochen (Eliogaballo, Deutsche Barocklieder). Concerts and Recitals led her to Schubertiade Schwarzenberg, Folle Journée de Nantes, Théâtre de la Ville Paris, to the Berliner Philharmonie, Philharmonie Köln, Musikhalle Hamburg, to the Leipziger Gewandhaus, Wiener Musikverein, Stefaniensaal Graz, to Grosses Festspielhaus Salzburg, Palais des Beaux Arts Brussels or to Barcelona, Parma and Florence. She worked with many renowned conductors such as Nicolaus Harnoncourt, Marek Janowski, René Jacobs, Ivor Bolton, Fabio Luisi, Marcello Viotti, Tomas Netopil, Alessandro de Marchi, Enrique Mazzola, Attilio Cremonesi, Marc Piollet, Frans Brüggen, Hugh Wolff, Thomas Hengelbrock, Peter Schreier, Arnold Östman and Marcus Creed. Harmonia Mundi released the artist’s first solo-album with German baroque arias. 2006/07
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