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| Bryant Dinah | soprano |
Cited as «...a musician of distinction among singers...» by the Washington Post, soprano Dinah Bryant has won consistently high praise for her international operatic and concert performances, Liederabende and recordings. Dinah Bryant has performed more than 40 operatic roles throughout Europe and North America. She made her first foray into the music of Richard Wagner in 1995 as Senta in Der fliegende Holländer at the Opera de Bellas Artes in Mexico City. Dinah Bryant joined the roster of the Metropolitan Opera in 1995/6 where she made her house debut as Gerhilde in Die Walküre and covered the titlerole of Salome, returning to the Virginia Opera as Senta in Der fliegende Holländer. In 1997 Dinah Bryant sang Salome in St. Gallen and Gutrune in Götterdämmerung in Santiago, Chile. |
Dinah Bryant opened the 1997/8 season as Donna Anna in Don Giovanni in Mexico City's Opera de Bellas Artes. She later returned to Mexico for Händel's Messiah with the National Symphony. In 1998 Dinah Bryant sang the titlerole of Salome for both Opera Grand Rapids and the Knoxville Opera, Wesendonck Lieder with the National Orchestra of Belgium, Marie in Wozzeck at the Teatro Massimo in Palermo, and performed several Liederabende in France, Belgium and the Netherlands. |
Since 1989 Dinah Bryant has sung acclaimed performances as Donna Anna in Don Giovanni in Dortmund, Germany, the titlerole of Ariadne auf Naxos in Mexico City and at the Virginia Opera, Leonora in Il trovatore at the Teatro Colón in Buenos Aires, and the titlerole of Salome and Chrysothemis in Elektra in Mexico City. Highlights of Dinah Bryant's early steps in the career included engagements as a lyric soprano in Detroit with Antal Dorati, with Lorin Maazel at the Maggio Musicale in Florence, as well as in Paris, New York, Munich, Brussels, Liege, Marseille and Stuttgart. |
Dinah Bryant has performed extensively as soloist with orchestra in Richard Strauss' Vier Letzte Lieder, Beethoven's Missa Solemnis and Ninth Symphony, Gustav Mahler's Symphonies Nos. 2, 4, & 8, Orff's Carmina Burana, Johannes Brahms' Ein Deutsches Requiem, Dvorak's Stabat Mater and Requiem, Gorecki's Symphony No. 3, Berlioz's L'Enfance du Christ , Ravel's Shéhérazade, Rossini's Stabat Mater, Händel's Messiah, and many of Mozart's concert arias with the RTL Orchestra, the Netherlands Radio Orchestra, the Düsseldorfer Symphoniker, the RAI Orchestra in Torino, l'Orchestre Municipal de Lille, the Liège Philharmonic, the National Orchestra of Mexico, the Brighton Philharmonic, the Australian Chamber Orchestra, the Belgian Radio Orchestras, and the Maryland Symphony, just to name a few. |
Dinah Bryant's concert appearances as a Lieder recitalist have included recitals on the main stage of Carnegie Hall, in Paris at the Théatre des Grevins, at the Phillips Collection in Washington, D.C., the Lobero Theater in Santa Barbara, on the Schubert Club International Artists Series, in Brussels at the Palais des Beaux Arts with Bass-Baritone José Van Dam, at the Théâtre de la Monnaie, at the Festival Lyrique de Beausoleil in Montecarlo, at the Palais des Papes in Avignon, at the Stockholm Summer Music Festival, and several live recitals over the Netherlands Radio Network. |
Her recording of Strauss Lieder with pianist Daniel Blumenthal was the winner of a Golden Disc Award by «Bruxelles-Europe Arts Magazine». Dinah Bryant again joined Daniel Blumenthal in a highly praised CD of Wolf's Mörike Lieder on Autograph Records, followed by a collection of songs of Joseph Marx on Etcetera Records. Dinah Bryant was the voice of the leading lady, Sophie, in the 1989 Academy Award-nominated film, Le Maitre de Musique (The Music Teacher) with José Van Dam, for which she received a Grand Prix du Disque. |
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