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| | Maze David | | baritono |   
| David Maze's Swiss debut as Valentin in St. Gallen's production of Faust was reviewed in Zürich's daily Das Bund as «The Journey to eastern Switzerland was worth it only because of David Maze's superior, baritonally rich Valentin». Other roles in Switzerland last season for the American baritone include Ibn-Hakia in Tchaikovsky's Iolanthe and Taddeo in L'italiana in Algeri. In 1997/8 David Maze made his Italian debut as Wolfram in Tannhäuser at the Teatro Massimo in Palermo. He opened the 1998/9 season as Sharpless in Salzburg, returned to St. Gallen as Figaro in Il barbiere di Siviglia and returned to the National Orchestra of Mexico for Mahler's 8th Symphony. |
| From his operatic debut with the Texas Opera Theater in 1986 when, due to a last minute cancellation, he was called to perform the role of Marcello, Baritone David Maze has sung major roles with more than 20 American Opera companies. He made his European debut in 1993 at Paris Opera-Comique as Harlequin in Ariadne auf Naxos. |
| David Maze has brought his acclaimed Marcello to the Virginia Opera, OperaDelaware, The Houston Grand Opera's Miller Park series and Opera Memphis, which marked his 50th performance of La Bohème. Of his opening night performance in Richmond, John McKay of the Richmond Times-Dispatch wrote: «Maze here projected a resonant, powerful voice with flawless intonation». David Maze first appeared at the Sarasota Opera as Sonora in La fanciulla del west and Mercutio in Roméo et Juliette. He was most recently heard in Sarasota as Papageno in Die Zauberflöte. A favorite artist of the Virginia Opera, he has sung Marcello, Valentin in Faust, Guglielmo in Così fan tutte and Germont in La traviata. David Maze has portrayed Figaro in Il barbiere di Siviglia with OperaDelaware, Enrico in Lucia di Lammermoor with the Augusta Opera and Des Grieux in Manon of Massenet at the Boston Lyric Opera. David Maze debuted with the Cleveland Opera as Schaunard, sang his first Danilo in The Merry Widow for the New England Lyric Operetta, returned to OperaDelaware as Falke in Die Fledermaus and sang the title role of Eugene Onegin with the Flint Symphony in Michigan. |
| David Maze has scored success in many significant premieres. He sang the role of Pacuvio in the American premiere of Rossini's La pietra del paragone at the Austin Lyric Opera, Ben Palmer in the San Antonio Festival's premiere of Robert Rodriguez' opera The Old Majestic, created the leading role of Gerry in Michael Ching's Cue 67 at the Virginia Opera and performed the role of L'Ami at the acclaimed L'Opera Français de New York in the American Premiere of Milhaud's Le Pauvre Matelot. |
| David Maze enjoys an active schedule of orchestral engagements. He has performed Brahms' Ein Deutsches Requiem with the Santa Fe Symphony and the Austin Civic Orchestra, Vaughan-Williams' A Sea Symphony in both Flint and Mexico City, Thea Musgrave's An Occurrence at Owl Creek Bridge with the Virginia Symphony, Vaughan-Williams' Hodie, Dave Brubeck's La Fiesta de la Posada (with the composer), Faure's Requiem with the Austin Methodist Church and Elijah and Israel in Egypt with the Texas Bach Choir. He is in great demand as soloist in Carl Orff's masterpiece Carmina Burana which he has performed in Antwerp, Belgium, with the Flint Symphony and, most recently, with the National Symphony Orchestra of Mexico. |
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