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| | De Mola Cinzia | | mezzosoprano |  
| Graduated at the «Tartini» Conservatory of Trieste, her native town, her activity brought her to perform on the stages of the principal Italian theatres such as the Teatro Regio di Torino, the Teatro Verdi di Trieste, the Malibran and La Fenice di Venezia, the Arena and the Teatro Filarmonico di Verona, the Teatro Carlo Felice in Genoa, the Teatro Massimo Bellini di Catania, the Teatro Comunale di Bologna, the Teatro Massimo di Palermo, the Teatro Petruzzelli di Bari, the Arena Sferisterio in Macerata, the di San Carlo in Naples, the Teatro dell'Opera and the Accademia Nazionale di Santa Cecilia in Rome. Many are the performances abroad (Wexford, Bilbao, Nagoya, Tokyo, Lausanne, Santander, Barcelona), collaborating together with Riccardo Chailly, Myung-Whun Chung, Daniele Gatti, Gianandrea Gavazzeni, Gianluigi Gelmetti, Riccardo Muti, Daniel Oren, Zoltan Pesko and Nello Santi. |
| In 1989 she won the «Carlo Coccia» International Competition of Novara, performing in Beppe Mascagni's Amico Fritz. In 1990 performing the role of Suzuki in Madama Butterfly she won the «Rendano» International Competition of Cosenza. |
| She made her debut in 1990 as the protagonist in Carmen in Novara, where she met with outstanding success by the critic («...she demonstrated to have not only a great voice but to be also an excellent actress...», L'Opera). |
| The roles she performed in the first years of her career include Maddalena in Rigoletto, Fidalma in Matrimonio segreto, Margherita in Quattro rusteghi and Orsola in Campiello. This last one has also been recorded and the recording has been awarded with «Le Timbre de Platine» by the Opéra International de Paris. She also sang in Rusalka (Sguattero), Gianni Schicchi (Zita) and Il Cordovano (Hortigosa). |
| In 1995 she took part in the production of Carmen staged by Zeffirelli at the Arena di Verona. |
| In recent seasons she performed at the Teatro Regio di Torino in Die Meistersinger von Nürnberg (Magdalene) and in Boris Godunov (Ostessa), in Messina in Carmen (Mercedes) and in Madama Butterfly (Suzuki), at the Teatro Comunale di Bologna in Il Campiello (Orsola), in Verona in Carmen, in Genoa in Il cappello a tre punte, in Trieste in Rigoletto (Maddalena), in Bilbao in Madama Butterfly (Suzuki) and at the Teatro dell'Opera di Roma in La fiamma (Agnese) in occasion of the 1997/8 opening season. She also sang Il giro di vite (Mrs Grose) in Cagliari, Carmen (Mercedes) in Macerata and took part in the Teatro Comunale di Bologna productions of Gianni Schicchi and Fedora in a tour in Tokyo. |
| In 1998/9 season Cinzia De Mola was heard in The Rake's Progress (Baba the Turk) in Ferrara, Modena, Piacenza and Reggio Emilia, in Evgenij Onegin at the Teatro Massimo di Palermo, in El amor brujo in Trieste, in Madama Butterfly and in La traviata in Macerata (broadcast by Rai). |
| In 1999/2000 season she sang in Rigoletto (Maddalena) at the Théâtre Municipal de Lausanne and in a Japan tour of the Teatro alla Scala and Gianni Schicchi at the Teatro Comunale di Bologna and at the Festival Internacional de Santander. |
| 2000/1 season brought her again to Bologna and to Reggio Emilia to sing as Mary in Der Fliegende Holländer, to Lausanne for Luisa Miller and to the Teatro Massimo di Palermo to perform the role of Maddalena in Rigoletto. The successful return to the Teatro Verdi di Trieste in Les contes d'Hoffmann and the engagements in the role of Quickly in Falstaff in Menorca have followed. During Summer 2001 Cinzia De Mola travelled to Tokyo to sing as Orsola in Il Campiello (Japan Opera Foundation), and to Barcelona (Festival Internacional Castell de Peralada) to take part in a new production of Gianni Schicchi (Zita). She opened her 2001/2 season returning to the Teatro Massimo di Palermo for Rigoletto (Maddalena) and to the Teatro dell'Opera di Roma for new productions of Gianni Schicchi and Suor Angelica. Two successful engagements in the role of Mercedes (Carmen) have followed, firstly at the Teatro Carlo Felice di Genova and then at the Arena Sferisterio di Macerata. |
| More recently, Cinzia De Mola appeared on the stage of the Teatro dell'Opera di Roma in Romanza (Donna Lina), at the Teatro Lirico di Cagliari in L'ufficiale della guardia and at the Teatro Regio di Torino as Contessa di Coigny in Andrea Chénier. |
| Her vast concert activity includes Messiah by Händel, Gloria by Vivaldi, Tobias by Farinelli, Stabat Mater by Pergolesi, Requiem by Mozart, Magnificat by Bach, Missa pro-Defunctis by Mannino and Glagolitic Mass by Janacek (at the Accademia Nazionale di Santa Cecilia of Roma under Myung-Whun Chung). |
| Her future engagements include Gianni Schicchi at Teatro alla Scala, Cavalleria rusticana and La traviata at the Arena Sferisterio di Macerata, Madama Butterfly (Suzuki) at the Teatro Comunale di Bologna. |
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